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Wonder Women
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Wonder Women

Sept 15, 2020 | By Sharmaine Koh SM ‘22

When D.C.’s Wonder Woman hit the box offices in 2017, it was met with remarkable enthusiasm.  “Groundbreaking,” “Revolutionary,” “absolutely empowering!”: the first superhero movie with a female lead and a female director in more than a decade, the film revitalized an entertainment industry that has never been known for recognising female achievement. 

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To Boldly Go…
Arts & Culture The Yale Logos Arts & Culture The Yale Logos

To Boldly Go…

Sept 15, 2020 | By Ben Colón-Emeric TD ‘22

If you wanted to build the perfect future, what would you do? When the world was brought to a screeching halt by COVID-19, there was talk of dramatic change, institutional upheaval. But how does dramatic change come about? How can we rethink the systems that shape our lives? Imagine for a moment that you have infinite resources and total control over public policy. No longer must you decide if you’re going to trust your mother to cut your hair: the decisions you make can shape anything from world governance, to education, to the direction of scientific research. What future do you choose to build, and how do you get there? I, like many people, would be heavily influenced by the genre that has focused on the future for the better part of one-and-a-half centuries: science fiction.

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Beholding Mystery:&nbsp; Tintoretto’s Last Supper</em> and Magnifying the Divine
Arts & Culture The Yale Logos Arts & Culture The Yale Logos

Beholding Mystery:  Tintoretto’s Last Supper and Magnifying the Divine

Sept 14, 2020 | By Sharla Moody BK ‘22

Upon the first viewing, Tintoretto’s Last Supper is wholly disorienting. The painting is a conglomeration of people, color, and mystery grouped under a title that immediately ties it to da Vinci’s older, more famous depiction of the same event. But Tintoretto imagines a less formal, more enigmatic scene. Like da Vinci’s painting, Christ is still central, but the rest of the painting crowds in on all sides, overwhelming the eye and mind. There are angels! And a cat! And so many people!

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Thanos and Theodicy: Why don’t we just fix the world? (Part 1)
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Thanos and Theodicy: Why don’t we just fix the world? (Part 1)

Feb 22, 2019 | By Bradley Yam SY '21

Imagine that you are given a glove that granted you magical god-like powers over all of human life everywhere. You would only need to snap your fingers, and it would in some way make the world perfect. It would be whatever version of perfect you choose. Minmax human suffering and happiness? Done. Eradicate systemic oppression and inequality? Done. Eliminate scarcity of everything, everywhere? Done!

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Logos Reviews:   Eden Reimagined in First Cow</em>
Arts & Culture, Logos Reviews The Yale Logos Arts & Culture, Logos Reviews The Yale Logos

Logos Reviews: Eden Reimagined in First Cow

July 28, 2020 | by Sharla Moody BK ‘22. Sharla is majoring in English

NOTE: Spoilers ahead     

      

Kelly Reichardt’s minimalist film First Cow[1] premiered in August of 2019 at Telluride and enjoyed an extremely limited release in March this year before it was pulled due to the COVID-19 pandemic. Earlier this week, it was made available for rental on digital, and I was able to enjoy what has been hailed as one of the best movies of the year.[2] Slow and friendly, the film concerns the adventures of Cookie, a trapper and cook in the Oregon Territory in the 1820s, and his new companion, King-Lu, a Chinese immigrant with a fuzzy history and fuzzier intentions.

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    THURSDAY, FEB 19ND, 6:15-7:50 PM,

    Elm Institute

    We will be continuing our exploration of the theme of mirrors at the Elm Institute, with a session led by Peter Wicks.

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    SATURDAY, MARCH 28TH

    We will be adjourning to the countryside to spend a day dedicated to making progress on our drafts.